![]() New York: The Metropolitan Museum of Art, 2005. "A Neapolitan Patron of Armor and Tapestry Identified." Metropolitan Museum Journal (1993), p. 26 (a similar helmet, as part of a composed armor). Museo Poldi Pezzoli: Armeria I, edited by Carlo Pirovano. "Ipotesi per un Museo nel Palazzo del Podestà tra il 1858 e il 1865." Studi e Ricerche di Collezionismo e Museografia Firenze 1820–1920 (1985), pp. Barocchi, Paola, and Giovanna Gaeta Bertalà. New York: The Metropolitan Museum of Art, 1984. Man and the Horse: An Illustrated History of Equestrian Apparel. The Art of Chivalry: European Arms and Armor from the Metropolitan Museum of Art: An Exhibition. Pyhrr, Leonid Tarassuk, and American Federation of Arts. The Metropolitan Museum of Art, Helmut Nickel, Stuart W. Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis. Indianapolis: Indianapolis Museum of Art, 1970. Treasures from the Metropolitan: Catalogue of the Inaugural Exhibition of the Indianapolis Museum of Art, October 25, 1970–January 3, 1971, edited by Carl J. "Two Horse Panoplies in the Armor Galleries." The Metropolitan Museum of Art Bulletin (September 1922), pp. Livret-Guide du Visiteur à l'Exposition Historique du Trocadéro, edited by E. "Man And The Horse," December 3, 1984–September 1, 1985.īréban, Philibert. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," April 4–June 17, 1984, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," November 5, 1983–January 28, 1984, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," May 24–July 31, 1983, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," November 13, 1982–February 5, 1983, no. Witte Museum of the San Antonio Museum Association. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," July 18–October 10, 1982, no. "The Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art," March 11, 1982–June 6, 1982, no. "Treasures from the Metropolitan," October 25, 1970–January 3, 1971, no. "Exposition Universelle de 1878: L'Exposition Historique du Trocadéro," May 1–October 31, 1878. The high quality of the horse armor and its elaborate decoration indicate that it must have belonged to a leading member of the Collalto family, perhaps Collatino Collalto (1523–1569), who was famous both as a soldier and as a man of letters. These were standard decorative motifs on Italian armor of the period, but here, they are depicted with much more precision, on a larger scale, and in far greater detail and variety than usual. The bands of etched ornament include classically inspired trophies of arms and armor and musical instruments. It comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso, where it was presumably kept from the late sixteenth until the early twentieth century. 21.139.2), dating from about 1560, is one of the few complete examples of its period to be preserved. The associated horse armor also in the Metropolitan Museum's collection (acc. Available in Different Sizes: Our compression sleeve arm is available in small, medium, and large sizes, to give you the perfect fit.The man's armor, dating from about 1575, is part of a small garniture that included exchange elements for the battlefield and reinforcing pieces for the tournament. ![]() These sleeves help you improve your performance and reduce muscle soreness after physical activity Improve Performance: Designed for protection, recovery and proper circulation in your arms.Enhanced Visibility: Our sleeves also have reflective properties, giving you enhanced visibility in low light conditions.No more wasting time trying to roll on your sleeve while getting ready for a game ![]()
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